Segue

At the onset of COVID-19 in 2020, I began traveling east. There was always more east of where I stood, so I continued—across the United States, across three oceans and twenty-seven countries—eventually returning full circle to the Hawaiian Islands.

A segue is a passage that moves fluidly from one state to another without interruption. This journey unfolded as a continuous transition—between geographies, between states of being, between isolation and movement. In resisting the confinement and instability generated by conflicting narratives of a global viral contagion, I moved outward into open landscapes and liminal spaces. The world itself seemed caught in a suspended transition, slipping toward apocalyptic fiction as illness spread, populations were confined, and time quietly reshaped us.

This body of work follows that uninterrupted passage. It does not speculate on what might have been; it traces what occurred as a sequence of lived transitions. The photographs mark a global movement through a moment of collective rupture—spaces emptied of human presence, landscapes bearing witness to a world in flux. Each image is not an endpoint but part of a continuous shift, a visual segue from one place, one moment, to the next.

Formally, the project is structured as seven horizontal strips, each 7 inches high by 140 inches long, echoing the sequential logic of analog film. Within each strip, images are organized by hue, creating a chromatic progression that links disparate geographies into a continuous visual passage. The work resists fixed boundaries; instead, it moves fluidly—measured not by borders or distance, but by light, color, and time.