Baker sees photography unfolding as a collaborative triangle: artist, subject, and viewer, each vital in the geometry of encounter. She self describes her approach as an outsider, a deliberate estrangement that sharpens clarity and unearths the essence of each interaction. In the studio or the field, subjects offer their unguarded gestures, she responds with light and frame, and the viewer completes the circuit. In this exchange her images are not driven by external agendas or declarative statements; they are vessels for exploring life and herself, a process of creating that mirrors self-discovery.